Some of the books that KFL staff members are reading at the moment (descriptions from the publishers will follow each title):
Two Georgette Heyer books are being read at the moment. Oddly, neither one of them is a Regency romance (which is what Heyer is primarily known for), and neither of them is being read by me (even though I’m the Heyer fiend in these here parts!). One of them is The Unfinished Clue:
A houseful of people he loathes is not Sir Arthur’s worst problem…
It should have been a lovely English country-house weekend. But the unfortunate guest-list is enough to exasperate a saint, and the host, Sir Arthur Billington-Smith, is an abusive wretch hated by everyone from his disinherited son to his wife’s stoic would-be lover. When Sir Arthur is found stabbed to death, no one is particularly grieved—and no one has an alibi. The unhappy guests fi nd themselves under the scrutiny of Scotland Yard’s cool-headed Inspector Harding, who has solved tough cases before—but this time, the talented young inspector discovers much more than he’s bargained for.
Forget everything you ever knew about unicorns . . .
Real unicorns are venomous, man-eating monsters with huge fangs and razor-sharp horns. Fortunately, they’ve been extinct for a hundred and fifty years.
Astrid had always scoffed at her eccentric mother’s stories about killer unicorns. But when one of the monsters attacks her boyfriend—thereby ruining any chance of him taking her to the prom—Astrid finds herself headed to Rome to train as a unicorn hunter at the ancient cloisters the hunters have used for centuries.
However, at the cloisters all is not what it seems. Outside, the unicorns wait to attack. And within, Astrid faces other, unexpected threats: from the crumbling, bone-covered walls that vibrate with a terrible power to the hidden agendas of her fellow hunters to—perhaps most dangerously of all—her growing attraction to a handsome art student . . . an attraction that could jeopardize everything.
This magnificent novel by one of America’s finest writers is the epic of one man’s remarkable journey, set in nineteenth-century America against the background of a vanishing people and a rich way of life.
At the age of twelve, under the Wind moon, Will is given a horse, a key, and a map, and sent alone into the Indian Nation to run a trading post as a bound boy. It is during this time that he grows into a man, learning, as he does, of the raw power it takes to create a life, to find a home. In a card game with a white Indian named Featherstone, Will wins – for a brief moment – a mysterious girl named Claire, and his passion and desire for her spans this novel. As Will’s destiny intertwines with the fate of the Cherokee Indians – including a Cherokee Chief named Bear – he learns how to fight and survive in the face of both nature and men, and eventually, under the Corn Tassel Moon, Will begins the fight against Washington City to preserve the Cherokee’s homeland and culture. And he will come to know the truth behind his belief that “only desire trumps time.”
Brilliantly imagined, written with great power and beauty by a master of American fiction, Thirteen Moons is a stunning novel about a man’s passion for a woman, and how loss, longing and love can shape a man’s destiny over the many moons of a life.
These are the secrets I have kept. This is the trust I never betrayed. But he is dead now and has been for nearly ninety years, the one who gave me his trust, the one for whom I kept these secrets. The one who saved me . . . and the one who cursed me.
So starts the diary of Will Henry, orphan and assistant to a doctor with a most unusual specialty: monster hunting. In the short time he has lived with the doctor, Will has grown accustomed to his late night callers and dangerous business. But when one visitor comes with the body of a young girl and the monster that was eating her, Will’s world is about to change forever. The doctor has discovered a baby Anthropophagus–a headless monster that feeds through a mouth in its chest–and it signals a growing number of Anthropophagi. Now, Will and the doctor must face the horror threatening to overtake and consume our world before it is too late.
The Monstrumologist is the first stunning gothic adventure in a series that combines the spirit of HP Lovecraft with the storytelling ability of Rick Riorden.
Four famed ’60s radicals are gunned down at long range by a sniper. Under enormous media scrutiny, the FBI quickly concludes that Marine war hero Carl Hitchcock, whose ninety-three kills were considered the leading body count tally among American marksman in Vietnam, was the shooter. But as the Bureau, led by Special Agent Nick Memphis, bears down, Hitchcock commits suicide. In closing out the investigation, Nick discovers a case made in heaven: everything fits, from timeline, ballistics, and forensics to motive, means, and opportunity. Maybe it’s a little too perfect.
Nick asks his friend, the retired Marine sniper Bob Lee Swagger, to examine the data. Using a skill set no other man on earth possesses, Swagger soon discovers unseen anomalies and gradually begins to unravel a sophisticated conspiracy — one that would require the highest level of warcraft by the most superb special operations professionals. As Swagger penetrates the deepest secrets of the sniper world and its new technology, Nick stands firm in the face of hardball PR initiatives and an inflamed media calling for his ouster.
Swagger soon closes in, and those responsible will stop at nothing to take him out. But these heavily armed men make the mistake of thinking they are hunting Bob, when he is, in fact, hunting them.
I, Sniper will satisfy Stephen Hunter’s legions of fans and win him droves of new ones with its signature blend of brilliant plotting, vivid characters, razor-sharp dialogue, and extraordinary gunfights. And when Swagger and the last of his antagonists finally face each other, reenacting a classic ritual of arms, it is clear that at times there’s nothing more necessary than a good man with a gun and the guts to use it.
Jonathan Franzen’s third novel, The Corrections, is a great work of art and a grandly entertaining overture to our new century: a bold, comic, tragic, deeply moving family drama that stretches from the Midwest at mid-century to Wall Street and Eastern Europe in the age of greed and globalism. Franzen brings an old-time America of freight trains and civic duty, of Cub Scouts and Christmas cookies and sexual inhibitions, into brilliant collision with the modern absurdities of brain science, home surveillance, hands-off parenting, do-it-yourself mental healthcare, and the anti-gravity New Economy. With The Corrections, Franzen emerges as one of our premier interpreters of American society and the American soul.
Enid Lambert is terribly, terribly anxious. Although she would never admit it to her neighbors or her three grown children, her husband, Alfred, is losing his grip on reality. Maybe it’s the medication that Alfred takes for his Parkinson’s disease, or maybe it’s his negative attitude, but he spends his days brooding in the basement and committing shadowy, unspeakable acts. More and more often, he doesn’t seem to understand a word Enid says.
Trouble is also brewing in the lives of Enid’s children. Her older son, Gary, a banker in Philadelphia, has turned cruel and materialistic and is trying to force his parents out of their old house and into a tiny apartment. The middle child, Chip, has suddenly and for no good reason quit his exciting job as a professor at D—— College and moved to New York City, where he seems to be pursuing a “transgressive” lifestyle and writing some sort of screenplay. Meanwhile the baby of the family, Denise, has escaped her disastrous marriage only to pour her youth and beauty down the drain of an affair with a married man–or so Gary hints.
Enid, who loves to have fun, can still look forward to a final family Christmas and to the ten-day Nordic Pleasurelines Luxury Fall Color Cruise that she and Alfred are about to embark on. But even these few remaining joys are threatened by her husband’s growing confusion and unsteadiness. As Alfred enters his final decline, the Lamberts must face the failures, secrets, and long-buried hurts that haunt them as a family if they are to make the corrections that each desperately needs.
As always, if you would like to place a hold, please call the library at 985-2173 or visit our website.